Encaustic Printmaking in Santa Fe New Mexico

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en-caus-tic - 1. painted with wax colors fixed with heat. 2. a work of art produced by an encaustic process.

mon-o-type - 1. a one of a kind print. 2. a print made from a metal plate without a repeatable matrix.

PAULA ROLAND'S
ENCAUSTIC MONOTYPE AND BEYOND

WORKSHOPS IN ENCAUSTIC TECHNIQUES:    
PRINTMAKING, DRAWING, PAINTING, COLLAGE

Santa Fe and Ghost Ranch, Abiquiu, New Mexico

Click Here for more information about these workshops

Inquire about bringing these workshops to your community, school, studio, or arts organization. EMAIL: EncausticSantaFe@yahoo.com

     

Chant, Installation of encaustic prints with graphite, charcoal and wax, on paper. Each 25' x 18".

Paula Roland, Chant, encaustic print with graphite drawing, each 25'x18"

Megan Burns -  Printmaking in the Open Studio

 

The Encaustic Monotype is an innovative, contemporary process and a painterly approach to printmaking. This process is experimental, freeing, and has been used successfully with a range of imagery and styles. The encaustic monotype combines the ancient painting medium of encaustic with the popular monotype process. Encaustic sticks (beeswax and pigment in solid form) are used to draw on a heated metal plate. The wax melts instantly and is manipulated with brushes and other tools. Absorbent paper is laid on the plate, the back is rubbed, and the image is transferred to the paper by hand.

 

 

NO SOLVENTS USED - NO PRESS NEEDED

Lifting the image from the plate.

 

 

 

 

 

 

Drawing on waxy surface

 

 

 

With Encaustic Monotypes the Possibilities are Endless:
• Layered “passes” for depth, translucency, and blended color
• Creating surface texture
• Use mixed media (oil, charcoal, graphite, oil or chalk pastels) as well as wax encaustic collage
• Combine with encaustic painting


• Work on paper, Xerox, photographs, canvas, linen, and other experimental surfaces. Paper may be mounted to panels or framed as a print.

This process provides new possibilities and advantages:
The encaustic becomes one with the paper; the wax will not crack. Unlike encaustic painting, there is no need to fuse (heat the surface of the wax) since fusing takes place as you work. Encaustic works on paper are easy to handle and store and ship. With encaustic monotypes, the results are immediate.

 

Drawing and wax

No Prior Experience with monotypes or encaustic is required. These workshops are also an excellent introduction to the use of encaustic for painting, collage and mixed media.

Encaustic and mixed media drawing techniques were developed by Paula and provide numerous possibilities.

The Equipment is simple, affordable, and easily adapted to most artists’ studios. The equipment is available for purchase through the studio.

Encaustic Monotype on Rives BFK
Paula Roland "Passage for Two" encaustic monotype

History of The Open Studio LLC Workshops

Christi Liffman, encaustic monotype

Christi Liffman, encaustic monotype

 

 

 

 

 

Founded in 1996, The Open Studio LLC merges Paula Roland’s creative expression and teaching philosophies. Paula recognized the potential of encaustic printmaking as an art form and as a tool for the creative process. Inspired by encaustic monotype methods developed by Dorothy Furlong Gardner, an artist-friend from New Orleans, Roland, after extensive research and experimentation, developed a curriculum that extends and contemporizes the process. Paula Roland provides the only known classes devoted to encaustic printmaking and other encaustic-on-paper techniques. Hundreds of artists from the U.S. and abroad have found the workshops to be inspiring, freeing and relevant.

Paula has taught her workshops at other locations, including a Master Class in Printmaking for the International Encaustic Artists Association (formerly WCEA, West Coast Encaustic Artists), at the prestigious Santa Fe Art Institute, the Georgia O’Keeffe Museum, the Santa Fe Children’s Museum, Chautauqua Institution in Chautauqua, New York and other venues. A semester-long college credit course was taught at the Santa Fe Community College.

A wealth of information is presented. Ample time is provided for individual explorations.
 

 

Jane Guthridge, encaustic print on layered translucent paper.


Typical Topics and Activities

• Encaustic printmaking materials, tools, techniques.
• Demonstration and experimentation on various types of paper and print surfaces. Each paper yields unique results.
• Numerous examples are shown.
• Mounting, framing and exhibition concerns.
• Health and safety instruction.

Pigments sealed in wax, not airborne. Health and safety are stressed in The Open Studio.


• Basic techniques of encaustic painting
• Additional and advanced techniques in encaustic printmaking.
• Making your own encaustic from scratch, safely.
• Guidance in pursuit of individual goals and special projects.
• Additional time for skill development, explorations, and for consultation with instructor.

Kathleen Lemoine,encaustic monotype

 

Kathleen Lemoine,encaustic monotype

Susan Thompson, encaustic monotype

Susan Thompson, encaustic monotype

PRIVATE AND SEMIPRIVATE INSTRUCTION IS AVAILABLE.
Inquire about bringing these workshops to your community, school, studio, or arts organization. EMAIL: EncausticSantaFe@yahoo.com